Old Town School – On The RoadDispatches from the road from our wayfaring travelers. Rock Camp Day Six We spent the morning preparing for our set tonight at the Key Club, then headed to the hotel for a few hours of R & R. The energy at the Key Club was peaking as camp bands ruled the stage one by one. Literally every band had performed with intensity and precision, and every camper’s faced expressed the same sentiment: It’s great to be alive! Our band was scheduled to perform last, and we scorched through “Rainbow in the Dark” (Ronnie James Dio), our original song, and “My Hero” (Foo Fighters) in honor of Rami for making our camp experience so positive and productive. Fellow campers and counselors said their goodbyes as we prepared to head back into reality. From the moment we arrived until the moment we left, the entire Rock Camp staff accommodated to the campers’ every eccentric need. Most remarkably, they did it all with smiles on their faces and rock –n- roll in their hearts. I truly hope I get the opportunity to reunite with my band mates again someday, but I know they will keep music going in their lives and do it with a little more edge now that we’ve tasted the rock –n- roll fantasy. Filed under: Domestic, Notes from Eric, Uncategorized by Eric | March 2, 2010 | Comments (0) Rock Camp Day FiveRehearsals resumed all morning for our recording session later in the evening. Rami then treated us to an amazing sushi lunch, followed by a tour of his amazing studio. After dinner, the band loaded onto the Gibson tour bus and headed to EASTWEST Studios for our original song recording. EASTWEST is the home of incredible legendary recordings from rock and pop superstars over the last 50 years. There to greet us in the booth was the notable producer, engineer and camp counselor, Ron Nevison. Ron has worked with the likes of The Who, Jefferson Airplane, Bad Company, Chicago, and Led Zeppelin, so I knew we were in good hands. The session was over before we knew it and the rough mixing process began. I’m looking forward to getting the final mix in a couple of weeks. Hopefully it will catch the great mood we all were in after collaborating so well together. Filed under: Domestic, Notes from Eric, Uncategorized by Eric | March 2, 2010 | Comments (0) Rock Camp, Day FourWe spent the day at AMP Studios rehearsing our original song for the recording session tomorrow and jamming to various songs so we can fill out our set at the Key Club. We got a chance to jam with Ace Frehley from KISS, and I sat in on a Q & A drum session with Charles “Keep a Knockin” Connor (original drummer for Little Richard) and Slim Jim Phantom (Stray Cats). Connor created that unique, choo choo train sound with nonstop 1/8th notes that American and British drummers in the 50’s and 60’s copied over and over in the 1950’s and 1960’s. As a left-handed drummer, I am always navigating in a right handed world by constantly switching the drum set when I share gear with other drummers. Performances become logistically bothersome when the drums and mics have to be changed quickly. Both Charles and Slim Jim are lefties, and Charles even told us that he was discouraged by others at an early age not play drums because he was left-handed. It turns out that there are many left-handed drummers but are often pressured in their youth to conform to a right-handed kit, like Ringo Starr. The rock stars have all been generous in sharing stories about the road and the many musicians they have known over the years, and I’m stretching out as a drummer by playing a variety of rock styles. Filed under: Domestic, Notes from Eric, Uncategorized by Eric | February 27, 2010 | Comments (0) Rock Camp, Day ThreeThe band rehearsed today in preparation for an acoustic performance at the Gibson Guitar Showroom in Beverly Hills. As we were deciding what song to perform, Rami suggested “No Rain” by Blind Melon. When the song came out in 1992, I listened to it thousands of times in my car until the cassette wore out. The choice of song was certainly a good one as Rami got on the phone and asked some of his friends to join us on stage that night – Christopher Thorn (bass) and Brad Smith (mandolin) from Blind Melon, and Jesse Greene (violin), who recently toured with the Foo Fighters and now with Pink. Rami broke out his accordion and the extended jam version of the popular song went over big with the crowd. The band is really coming together this week and ready for more. Click here to see the performance at the Gibson Showroom Filed under: Domestic, Notes from Eric, Uncategorized by Eric | February 26, 2010 | Comments (0) Thiruvananthapuram, Kerala, IndiaHere at the southern tip of Asia, the beaches shelve off precipitously into the Arabian Sea. Waves that have traveled from Africa are almost right on the sand before they break. It makes for treacherous swimming, and every year a few tourists venture too far and are washed out to sea. Along this stretch of coast hundreds of double-ended fishing craft launch through the surf every day. No diesel engines here, these are craft propelled exactly as they have been for millennia, by a crew of fifteen or twenty sailors pulling against the tide with oars. They drop enormous nets just past the breakline, with floats on the top and rocks as sinkers tied to the bottom. Two swimmers are sent to the shore with ropes, and as teams gather on the beach to haul in the catch, they’ve created a perfect purse net. The hauling is a spectacle in itself, requiring an hour or two for a team of sixty or more. It is essentially a tug-of-war with the sea. One man anchors each line and coils the ropes as they are pulled in. The rest of the team hauls vigorously when a wave is approaching to take advantage of its forward momentum; then they dig in their heels and strain to keep the backflow from pulling their catch back out to sea. When each hauler progresses up the beach until they reach the anchor man, they run forward to the front places, which are right in the teeth of the surf. All of this is coordinated by rhythmic chants, a call and response that echoes up and down the beach, rising and falling with the momentary needs for extra exertion when a particularly large swell is washing back out. By and by, the net itself appears in the surf, filled with thousands of silver fish, flashing and writhing in the sunlight. It takes a special effort to actually land this catch, which must weigh well into the thousands of pounds. Then the village women appear will all manner of tubs and buckets. They separate the fish by species. Some are loaded into basins and carried away on the women’s heads immediately to market. Many more are spread out over a vast expanse of beach to dry in the sunlight for the rest of the day; they are gathered together and carried off in the evening – while the fishermen play a pickup game of cricket. The entire scene, from dawn to dusk, feels timeless – it has probably changed very little in the past few thousand years. It is also striking for its entirely communal nature. No individual could haul in those nets; they require the joint effort of the entire community. No single person could contend with two tons of seafood to process and market; it needs participation from everyone, sharing in both the bounty and the labor. Sustenance demands that every member of the community pulls their own weight, otherwise they won’t have dinner on the table tonight. As an outsider observing this simple spectacle, it’s impossible to avoid drawing parallels to our own existence in the complexity of Chicago. The metaphors beg for a reflection. Is there anything that compels our participation as a community with such singleness of purpose? What do we have in our lives that requires us to join together and pull in the same direction? Every day? If there is an answer, I believe it is in the stewardship of our traditional heritage. Music and dance are ephemeral, they’re present right now, and then they are gone. But the sustenance and passage of that “intangible heritage” from this generation to the next does indeed call for our common attention, perpetually. And just as the act of hauling nets shapes the fishing communities of Kerala, the enactment, over and over again, of our musical rituals defines our own sense of community. It is what makes the work that goes on every day at Old Town School so vitally important. We all have to participate today, or we’ll lack our soul force tomorrow. Filed under: Uncategorized by Bau | November 6, 2009 | Comments (0) accordian to megot lost yesterday. streets go in all directions here and did our last classes in the morning, went up the road to the we drove down the other side to the tiny town of casa branca, at the bottom of the hill, as we rolled into the dusty red town square, on the way back, myself and andrea got ourselves dropped off little did i know that it would happen that way, maybe a few more so eventually, we hit a street that looked familiar to me. it was saturday night, and the bars and cafes were abuzz. we kept walking. the road started to curve and i realized it was an accordian, at least it sounded like it. at the end of in the doorway were two cowboys; hats, boots, cigarettes they stood in the doorway, facing each other. we sat at a table the 2004 bus back to our flats didn´t run too much past midnight, so we had to we saw a street vendor, selling popcorn, hot powdered chocolate covered he may have been out of change, or maybe he just liked the feel we were looking for our bus stop when we saw people walking through the was an older black man on stage with a guitar, and behind him were i guess we´re here on a cultural exchange mission. i hope anyone beijos Filed under: Brazil 2009, Notes from Steve, Uncategorized by Steve | June 7, 2009 | Comments (0) have i mentioned yet how nice eveyone is here in brazil? and how delightful it is here? and how good the food and weather are? let me work backwards from this moment, where i am typing on a filthy keyboard and barely moving cursor in the hotel ahem “business office“. we walked back from the party, myself and andrea, up and down the hills and darkened and desolate streets. for some reason, no one at all parks their car on the streets at night. the sidewalks are broken, ragged and uneven, and if you are wheelchair bound, do not make this your vacation destination. besides the steep hills and our friend gravity, there are sheer unexpected dropoffs everywhere. wherever there is a driveway or corner, there is a steep plunge, a foot or two sometimes, to the next section of sidewalk. did i say sidewalk? it is almost as if each building has built its own sidewalk….cement, tile, brick, small stones, dirt, patterns, crumbling pits, a patchwork. so it´´s midnight, the streets are empty and dirty, and we are walking. we actually get a little lost on the way home, ending up on two spooky quiet streets ´we´´d never seen before. bats were flying around the streetlights. not a soul driving. all houses behind iron fences and gates, some yards surrounded by thick clear glass fences, showcasing the yard like an aquarium, making sure you see but don´t touch. electric wire or glass on the top. so much security here, neighborhood stores with guards, malls with 3 or more security guards at each entrance and more patrolling, in black suits like the secet service. all that to say; for some reason, it seems not all that scary. any US city and these streets would be certain death, but here, it seems alright. when we were lost, on a particularly desolate and dark street of stone, the was a man standing at the end f the street, in the middle of the T intersection, dark clothing and sunglasses. andrea said he might have been the bat we saw earlier, but he was a dark man who said nothing as we walked by with no panic. for some reason. we were walking from a party and jam at a local music school, where a local singing legend taught mostly vocals. we started the evening attending a class in the (i suck at remembering foreign words) rhythms of an instrument like a tambourine, and were schooled in patterns for songs and capoera. we stood in a circle of mostly beautiful and handsome brazilian women. i, resplendant in my sweaty tank top from walking earlier in the day, may have stood out a little. but learn we did. i was masterful at it not. then we went and had a frozen dish made from the acai berry, like a sorbet, covered with fresh bananas and granola. what a treat, and not the first one of the day. then the jam session. in the open air center of the school, which was in a big old house. we sang a few songs. beer and wine were served. bacon brushetta was served….toast, cheese, bacon and oregeno. introductions were made. one of the women there was obviously someone important, a backup singer with a famous pop star, and as far as i could gather from the conversation, was on a soap opera. she held herself like a star. if you`ve ever seen the show “just shoot me“, she was just like nina van horne. regal, self assured. our hostess sat down with her sister (friend? not sure) and they sang the most hauntingly beautiful duet ever. so sweet and pure. then another woman and a guitar joined them for a trio, again, hauntingly sweet and beautiful. the evening turned raucous, with drums and dancing and exhuberant singing and laughter. i danced a little, until i was dripping with sweat (again). it was a kind of magical evening. i wished i had known any of the words to the songs, but i plucked and sawed and drummed my way through the evenings brigadoon-like magic. a delicious bean and sausage soup and some meat struedel were served and the drinks flowed. another one of those can´t believe i´m here evenings. the rest of the day earlier seems to pale in comparison, yet it was all kind of magical. we went to an ecological park. i had the water from a big green coconut, with a straw, through the hole they punched. it seemed like a magic drink, neverending. i drank and drank. finally done. then they split it open, gave it to me with a spoon made from a piece of the husk, and we peeled out the gelatinous meat from the non scrapy, non flakey kind of coconut. on the way out of the park, we stopped at a roadside fruit place, where a man with a machete carved up giant hunks of sweet juicy pineapple, and we stood eating, sticky sweet juice flowing and dripping. we left, and in yet another of many lovely gestures this day, he came running out to the car as we were leaving, with two big hunks of perfect firm and ripe watermelon, and handed them to us. not sure watermelon or pineapple ever tasted that fine. i can´t even get into the wonderful lunch we had, one of many stupendous and inexpensive meals we had. but after lunch i took a walk, looking for the grocery store. i climbed hills and was a big sweaty mess (what else is new) when i asked a woman on top of a hill where the grocery was. she spoke no english, but understood what i was looking for and pointed down the street. i thanked her and walked down the hill. a few moments later i heard a voice, and she was running down the hill she had just climbed up, just to give me better directions. she pointed down the hill. “one, two“ then pointed her finger sharply to the right. have i mentioned yet how nice eveyone is here in brazil? and how delightful it is here? and how good the food and weather are? by the way, the weather is delightful. biejos stefan Filed under: Brazil 2009, Notes from Steve, Uncategorized by Steve | June 4, 2009 | Comments (1) concert at the universityFiled under: Uncategorized by Laura | June 4, 2009 | Comments (0) Day 5 in Belo HorizonteHello from Brazil. What an amazing country. The people here are absolutely lovely. They love learning about American folk music, the history, the way we teach music and even the way we sing. And we’re learning just as much from them…their music…samba, bossa nova and even brazilian pop music. Our host Walenia is has given us a great tour of Belo Horizonte, the biggest city in the state of Minas Garais. It has everything…..huge outdoor markets downtown, to serene parks, the lagoon, a zoo, and of course the University. Then neighborhood we are in is called Pampulha. Last night was a highlight. We had a jam/dance party with the Brazilians at a small school that teaches mostly voice classes. We first took a workhop on how to play the pandeiro…it looks like a tamborine with a closed head. Very rhythmic. It seems that everyone here knows how to play the pandeiro! After the workshop…party downstairs…snacks and local beer (Skol) was served with a local soup that sort of tastes like the refried beans in Mexican dishes, but even better, and pork added. I forgot the name in Portugues. I do remember “Pao de Queso” though…..a delightful little cheese puff thing they sell everywhere…yum yum! The food is AMAZING…every single meal….but more on that later. At the party, we traded off singing american folks songs and Brazilian songs…there were accordions, guitars, all kinds of drums, shakers, mando, fiddle and of course the pandeiro! Then, a barn dance with Bau calling out the moves in English and Walenia translating in Portuguese, while Andrea and Steve strummed and fiddled. Then….instant samba dancing ensued and lots and lots of Brazilian songs sung so beautifully I could cry. Okay….i’ll see if I can post a pic and video here to really see! Filed under: Brazil 2009, Notes from Laura, Uncategorized by Laura | June 4, 2009 | Comments (0) flying to rioof course i had the middle seat on the 10 hour flight from atlanta. everything went so smoothly until we reached rio. we had 90 minutes to as we slowly, a little too slowly, got off the plane, into the odd 70s groovy at this time, through the first checkpoint most officials wearing masks, i noticed that (our host here tells me that the display of flu concern is just for show, for the we turned the corner into the terminal. we were swarmed by money changers finally we arrived at the ticket counter. for some reason, we could not get but as it turned out, the brazilian people are wonderfully friendly and but that´s a story in itself for another day. every single thing we have eaten has full of beef, pork, chicken, bacon, chicken hearts, meat from every part of love Filed under: Brazil 2009, Notes from Steve, Uncategorized by Steve | June 3, 2009 | Comments (0) Classes
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