Fiddle Club of the World
The Fiddle Club of the World (Chicago Chapter)
| The Fiddle Club of the World (Chicago Chapter) kicks off its inaugural season with a series of three monthly meetings that will each offer an unplugged concert by a featured guest musician. The concert will be followed by a jam session for club members with the featured guest. Several tunes from the upcoming meeting’s guest will be posted a month ahead of time on this website (http://oldtownschool.org/connect/fiddleclub/) under the category “Tunes” linked on the right sidebar. |
Visit this website regularly to learn tunes in preparation for the next jam session, and to keep up with Fiddle Club news and events.
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Dues for the Fiddle Club of the World are $12 per meeting. To become a member register for the meetings by clicking this link for Workshops (the link on on the left sidebar also works) and search for the name of the featured guest.
or You may also register by visiting the Old Town School of Folk Music at 4544 Lincoln Ave. or 909 W. Armitage in Chicago, or by calling 773.728.6000. or When you register for a workshop you become a member of the Fiddle Club of the World, and your name goes on a list allowing entrance to that meeting of the Fiddle Club. |
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Initially, meetings of the Fiddle Club of the World are schedule for the party room of or Leadway Bar and Gallery 5233 N. Damen Ave. Chicago, IL 60625 773-728-2663 or Space is limited, so register early. |
Filed under: Fiddle Club by Paul | February 23, 2008 | Comments (3)
Featured Guests for Spring 2008
| March 14 (Fri) 7:30 Paddy Jones Paddy Jones is one of the last pure players of the traditional music of Sliabh Luchra (pronounced Shleeve Lew-cra), a mountainous region on the borderland between Counties Kerry and Cork in the southwest corner of Ireland. The distinctive style of this region makes heavy use of polkas and slides, and relies less on the reels and jigs that are more standard in the “trad” Irish repertoire. The undisputed master of the Sliabh Luchra style was the legendary Padraig O’Keefe, who was Paddy Jones’ teacher. or To hear some Paddy Jones tunes. |
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| April 20 (Sun) 6:30 Lynn “Chirps” Smith Traditional tunes from downstate Illinois and beyond are the forte of this fiddler long known for his work with the Volo Bogtrotters. Chirps now plays with the New Bad Habits. or To hear some Chirps Smith tunes. |
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May 10 (Sat) 3:30 Will & Holly Whedbee Cajun two-steps, waltzes and more will be offered up by this fiddling duo from the Chicago Cajun Aces. or To hear some Cajun tunes from Will & Holly Whedbee. |
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Filed under: Meeting Schedule by Paul | February 22, 2008 | Comments (1)
Some tunes from Paddy Jones
| Click blue link to dowload or listen to these .mp3s. or Click here for tips and troubleshooting on how to get at these .mp3s.
Kerry Slides unnamed reel All tunes were performed by Paddy Jones with Rus Bradburd at a concert in Silver City, New Mexico in 2007. Recording courtesy of Rus Bradburd. Go to Paul Tyler’s transcriptions of these Paddy Jones tune. Paddy Jones will be performing at the Fiddle Club of the World’s meeting on Friday, March 14 at the Leadway Bar & Gallery. For now, the Old Town School is handling the club meetings as if they were workshops. Call 773.728.6000 to register. Cost is $12. Your name will then be entered on a list that allows entrance to the club meeting. Only those registered for the workshop will be considered members. Space is limited. Register early. |
Filed under: Tunes by Paul | February 21, 2008 | Comments (4)
What in the World? A Fiddle Club for Chicago.
The fiddle is the world’s greatest musical instrument. Because it is uniquely suited for dance music, and because dancing is a favorite activity of humans the world around, the fiddle is at home in all corners of the globe.
Chicago is a city of the world. People came here from all over to find work and a home, to have families and build communities, to live, love and dance! The fiddle came along with many of these peoples. It crossed oceans and traveled over the plains to this teeming metropolis where masses eagerly awaited the end of each work week when they could enjoy the warm intensity of the dance hall or kitchen hop.
The fiddle belongs to Chicago. One early player was John Kinzie, a Canadian-born Scotsman who dealt his hand-wrought silver jewelry to the region’s Indians in exchange for furs. Frenchman Mark Beaubien, a native of Detroit, played the fiddle in his Sauganash hotel while his young son step-danced on the table in a command performance for Potawatomi Chief Shabbona.
Nelson Perry, a musician who advertised his services as a “man of color,” available for parties and assemblies, played fiddle in a multi-racial orchestra for a New Year’s ball in newly-incorporated Chicago in 1834. The Horenberger brothers, of German stock, played their fiddles so the young people of 19th century Deerfield could dance in the large home of the Carolan family, immigrants from Ireland.
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Mark Beaubien |
 Edward Cronin |
At the end of the century, when Francis O’Neill (superintendent of the Chicago police force) was gathering instrumental melodies for his landmark collection, O’Neill’s Music of Ireland, his sources included Timothy Dillon, a Chicago policeman who had been born in 1846 in County Limerick, and a secretive fiddler named O’Malley, who played “like a house on fire,” despite missing a finger on his left hand. Another favorite source of tunes was Edward Cronin, a weaver from Tipperary who, when he came to Chicago, worked a grinding wheel at the Deering Harvester Works.
The fiddle, though long associated with ancient sounds and old village ways, continued to thrive in Chicago as the city marched through the 20th century in lock-step with the forces of industrialization and modernization. Fiddlers in Chicago adopted new technologies and adapted to changing tastes in popular culture. Chicago became truly the second city for America’s burgeoning record industry.
Among the thousand of musicians who came here to etch their artistry in shellac were such giants as Russell “Chubby” Wise, who set the paradigm for bluegrass fiddling with Bill Monroe & His Blue Grass Boys, and pioneering western swing fiddler Jesse Ashlock with Bob Wills & the Texas Playboys. Local recording artists who were notable in their own communities included Irish fiddlers like Patrick Stack and Johnny McGreevy (who also was described as playing like “a house afire”), and Karol Stoch, a recent immigrant from the Tatra Mountains in Poland. At the same time, Eddie South was establishing a benchmark for jazz violin while leading such groups as Jimmy Wade’s Syncopators and his own Alabamians.
Karol Stoch’s Orchestra
Other fiddlers who recorded here have faded into obscurity, though they left behind tantalizing traces of their artistic endeavors. B.E. Scott cut four sides here for Paramount in 1925. Only recently have we learned that he was Benjamin Scott, a railroad worker from Mattoon, Illinois. But we don’t know the name of the fiddler in the Ukrainian Orchestra Apolskoho who recorded in Chicago for Victor in 1929. And from whence came Mexicano fiddler José Menéndez, who that same year recorded here for Vocalion? Was he a Tejano or from south of the border? Did he make his home here in Chicago?
Chicago was also an important center for the development of radio broadcasting. One of the jewels in the city’s crown was the successful endeavor by WLS to target programs for farmers and rural Americans. The station’s long running National Barn Dance kicked off in 1924 with the sounds of an anonymous fiddler. Within the show’s first half year, at least twenty old-time fiddlers from the Midwest had performed on the WLS airwaves, including Kankakee native Tommy Dandurand, William McCormack from Marseilles and Frank Hart from Aurora. They were followed by such luminous country music stars as Clayton McMichen, a fiddler with the Atlanta-based Skillet Lickers who started his own Georgia Wildcats, David “Tex” Atchison of the Prairie Ramblers, and Curt “Dott” Massey of the Westerners.
James Priest - Frank Hart - William McCormack
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In the years just before Chicago celebrated it’s Century of Progress with the 1933-34 World’s Fair, the city was caught up in a wave of nostalgia for the fiddle tunes and country dances of yesteryear. Fiddling contests sprang up all over North America to celebrate what was thought to be a vanishing art form that had flourished in more bucolic times. One of the largest contests during this 1926 frenzy was sponsored by the Chicago Herald and Examiner. Thousands of spectators flocked to the Midway Dancing Gardens in Hyde Park to watch 120 fiddlers–all over the age of 50–vie for the “Midwest Old Time Fiddlers’ Championship.” |
| First place went to French-Canadian Leizime Brusoe, a resident of Rhinelander, Wisconsin. His prize included a trophy, $100, a recording contract with Okeh Records (apparently never executed), and a six-week vaudeville tour on the Orpheum Circuit. In the next two decades, Brusoe performed with Rube Tronson’s Texas Cowboys (a house band for the National Barn Dance), led his own orchestra back home in Rhinelander, and recorded several dozen tunes for folk music archives at the University of Wisconsin and the Library of Congress. |
 Leizime Brusoe - Rube Tronson |
Reports of the imminent demise of old-time fiddling in Chicago and elsewhere were premature. The end of the twentieth century saw another great revival of interest in old-time fiddling. Senior fiddlers, like Howard Armstrong and Johnny McGreevy, made comebacks that took them to folk festivals and brought them before new audiences all around the Midwest. Armstrong, who had recorded in the 1930s as part of the Tennessee Chocolate Drops, made three albums in the 1970s with Martin, Bogan and Armstrong (the last two were for the Chicago-based label, Flying Fish Records). Johnny McGreevy recorded LPs with local uillean piper Joe Shannon and flutist Seamus Cooley.
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 John McGreevy - Seamus Cooley |
There were plenty of young disciples eager to follow in the footsteps of their elders, part of a grand generation of masters who have since left us, may they rest in peace. Besides scores of new fans and players, numerous clubs and organizations have rendered aid for the passing on of the cultural treasures of traditional fiddling. A partial list includes the Chicago Barn Dance Company, the University of Chicago Folk Festival, the Irish Musicians Association of Chicago, the Polish Highlanders Lodge, the Chicago Spelsmanlag (Swedish), and the mariachi program at Benito Juaréz High School in Pilsen.
| As for myself, I have played the fiddle for over thirty years. In the beginning, I was self taught. But within a few years I received valuable mentoring from senior fiddlers in my home state of Indiana. I am grateful to Edgar Hursey of Ligonier, Clay “Pete” Smith of Star City, and Ken Smelser of Paoli. There are no words of gratitude sufficient for the wealth of music and wisdom I gained from my long associations with Lotus Dickey of Paoli, Francis Geels of Decatur, and Les Raber of Hastings, Michigan. |
 Lotus Dickey |
Since 1990, I have been teaching fiddle at the Old Town School of Folk Music, along with, over time, a dozen other fiddle teachers. We’ve done our part, and as a result, there may be more fiddlers per capita in Chicago than anywhere else in the country. Well, maybe not. But there are a bunch of you out there fiddling for your own enjoyment, playing for dancers, or finding community and friendship in one of the many jam sessions that have sprung up. Some of you have earned financial rewards (don’t quit your day job), while many more of you are amply satisfied with the social and aesthetic payoffs of making music.
This Fiddle Club of the World is for you. Learn some tunes. Come sit up close and listen to a modern day master. Stretch your horizons. Cross a few boundaries. Order a beer. Let’s have a tune.
Paul Tyler, Convener
Fiddle Club of the World (Chicago Chapter)
February 27, 2008
Paul Tyler - Les Raber - Paul Goelz
Filed under: Musings by Paul | February 21, 2008 | Comments (1)
Notation for Paddy Jones tunes
| All tunes transcribed by Paul Tyler. Musical notation is only a guide to one way to play a tune. Use the written notes along with the recordings. If you hear something different than what is written down, good. Trust your ears. Play what you hear. |
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Click on thumbnail to enlarge.
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Written music is a sketch. Sound documents are the ultimate authority. or To hear some Paddy Jones tunes. Paddy Jones will be performing at the Fiddle Club of the World’s meeting on Friday, March 14 at the Leadway Bar & Gallery. For now, the Old Town School is handling the club meetings as if they were workshops. Call 773.728.6000 to register. Cost is $12. Your name will then be entered on a list that allows entrance to the club meeting. Only those registered for the workshop will be considered members. Space is limited. Register early. |
Filed under: Notation by Paul | February 19, 2008 | Comments (0)
Playing and Downloading
What happens when you click on a tune link depends on what web browser you use and how you have it set to handle .mp3 files.
Here’s what I’ve learned about Firefox, my browser of choice. I rely on iTunes to manage music files. Unfortunately, iTunes is bundled with Quicktime, which insinuates itself into Firefox as the default plug-in for all sorts of media files. In Firefox, Quicktime will not play more than a few seconds of a tune. So I changed my Firefox settings.
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Firefox for Windows instructions: click these in order Tools (menu bar) Options (bottom of the menu) Content (tab or button) File Types (box) with Manage (button) Search for or scroll down to find MP3 (”MPEG Layer 3 Audio”) Change Action (button) Save to computer (check box) |
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Firefox for Mac suggestions To download, one of these should work. right-click link, or hold down Apple and click link, or hold down Alt-Option and click link |
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You can also pick another music program as a default to open mp3 files.
If you’re smarter than me you can install another plug-in to be the default.
Quicktime works better with Internet Explorer, but I don’t care to use that browser.
If anyone has any advice for other browsers and platforms, please share it with the rest of the Fiddle Club.
Good luck.
Paul
Back to Paddy Jones tunes.
Filed under: Tunes by Paul | February 19, 2008 | Comments (7)
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